Performance hall policies on photography seem woefully anachronistic. I attended the annual Tibet House Benefit at Carnegie Hall last night, and I watched ushers repeatedly scold attendees for snapping photos.
I was nowhere near the stage, mind you, and most fans were taking shots with cellphone cameras or point-and-shoots, without engaging the flash. These images could only be used for e-mail or galleries on social networking sites. It is highly unlikely they could be published or sold, given the poor quality of images taken from that distance in low lighting conditions with a 3X optical zoom. And if flash is disabled, the only thing to disturb performers would be the infrared focus-assist beam, which seems unlikely.
And it’s not just Carnegie Hall. I watched the same behavior at a performance at the Brooklyn Academy of Music several months ago. I snapped off a few shots with a Canon PowerShot SD 1000 before being admonished. (And this was before the performers, a string quartet named Ethel, were setting up.)
So why the fuss?
Today, digital technology has made it possible to photograph just about everything. And our culture has evolved into one that does just that, documenting and sharing every experience on Flickr or Facebook, whether advisable or not.
So I propose that camera makers create a new scene mode called Performance that would make photography palatable to all. The Performance mode should automatically disable flash, set the exposure for low lighting and disable the shutter release sound.
That would be a lot less intrusive than ushers stepping across your line of sight to shut down a flashless photographer in the upper reaches of a concert hall.
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