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Kicking Television- Live In Chicago
2CD, Import
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Kicking Television, Live in Chicago [Explicit]
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MP3 Music, November 15, 2005
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Vinyl, Box set
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Track Listings
Disc: 1
1 | Misunderstood |
2 | Company in My Back |
3 | The Late Greats |
4 | Hell Is Chrome |
5 | Handshake Drugs |
6 | I Am Trying to Break Your Heart |
7 | Shot in the Arm |
8 | At Least That's What You Said |
9 | Wishful Thinking |
10 | Jesus, Etc. |
11 | I'm the Man Who Loves You |
12 | Kicking Television |
Disc: 2
1 | Via Chicago |
2 | Hummingbird |
3 | Muzzle of Bees |
4 | One by One |
5 | Airline to Heaven |
6 | Radio Cure |
7 | Ashes of American Flags |
8 | Heavy Metal Drummer |
9 | Poor Places |
10 | Spiders (Kidsmoke) |
11 | Comment (If All Men Are Truly Brothers) |
Editorial Reviews
Product Description
Kicking Television-Live in Chicago, recorded over four nights in May at The Vic Theatre. "It's really the best it's ever felt," said Jeff Tweedy to the Detroit Free Press earlier this year. "I would say at this point, I don't think I've ever been in a band that's felt this connected and unified with this collective vision." To document that collective vision that band called upon veteran mixing engineer Jim Scott (Tom Petty, Red Hot Chili Peppers, Dave Matthews, Johnny Cash) to capture the energy, excitement, clarity and musicality that has earned Wilco continued praise for their live shows around the world.
Amazon.com
Recorded over four-nights in front of a sold-out hometown crowd at Chicago's historic Vic Theatre in 2005, Kicking Television: Live In Chicago is the first official live release from Wilco. It's remarkable to think that a band so well known for for its richly varied, inspiring live sets waited so long to get one these things out. At the same time, it's a little foreign hearing songs that once felt like personal treasures, plus a set-closing cover of Charles Wright's "Comment," handed over to the masses - the quietly disturbing "Misunderstood" is transformed into an audience sing-along, "Handshake Drugs" becomes a communal jig, and "Heavy Metal Drummer" a certifiable party anthem. Luckily, the whoops and clinking cocktail glasses can't take away from Jeff Tweedy's compelling laments or the band's full-throttle charge, particularly on a knuckle-gripping reworkings of "A Shot In The Arm" and "Ashes of American Flags." --Aidin Vaziri
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.51 x 4.76 x 0.51 inches; 4.37 ounces
- Manufacturer : Nonesuch
- Item model number : 1696331
- Original Release Date : 2005
- SPARS Code : DDD
- Date First Available : September 2, 2000
- Label : Nonesuch
- ASIN : B000BCE90O
- Number of discs : 2
- Best Sellers Rank: #102,154 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #701 in Alt-Country & Americana (CDs & Vinyl)
- #1,705 in Country Rock (CDs & Vinyl)
- #1,847 in Progressive Rock
- Customer Reviews:
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Coming on the heals of the disappointing but Grammy winning A Ghost Is Born (the Grammy's always give the award for the wrong album) Wilco fans were not quite sure what to expect. Looking at the track listing for Kicking Television caused more concern since many of the songs from Ghost are included here at the expense of some long time favorites. In addition, the band's revolving door of musicians has once again changed.
Typically live albums are for true fans only and offer a bit of indulgence for the artist. There are exceptions (noted above), but most live recordings don't offer much insight. Kicking Television avoids those pitfalls and delivers a heartfelt and connected performance that gives Wilco fans hope for what's to come from one of the most important bands of the decade.
I could write a book about why Wilco is so important, but that has already been done (Wilco: Learning How to Die by Greg Kot). Ditto for making a movie about the band (I Am Trying To Break Your Heart: A Film About Wilco). For now, just know that Wilco has influenced the way music is marketed; the way record company suits view the artistic process; the artist's control of their own musical vision; and the entire digital revolution of the internet and music. When you watch the Wilco documentary film you see a band in the throes of the creative process. Tweedy comes up with a simple "folk song" on acoustic guitar. He then brings it to the band and they start to build the song and add to it. Then they go their separate ways and destroy the song. De-construct what they have made and endlessly change and mutate it. Yankee Hotel Foxtrot was the result of this process and it will be remembered as one of the best albums of the decade.
Things have changed in Wilco's world. Gone is Jay Bennett, Tweedy's creative antagonist and the person who seemed largely responsible for much of the stress that helped drive Tweedy to a painkiller addiction. What we now hear on Kicking Television is a band that plays well together. And this group seems very together as they wind their way through the set.
Songs that seemed antiseptic and sterile on Ghost have new life here. There is more emotion, more feeling to them. Playing live the band makes these songs sound so much better than they did in the studio. But the older material gets new life here as well. Almost no song goes untouched and the band adds flourishes and touches everywhere. The always wonderful "Jesus, etc." gets a new guitar line. The acoustic romp of "Airline to Heaven" is punched up with a new electric guitar riff. Stronger piano parts are evident in many places. The ever-interesting noise and distortion is here when needed to bring the songs from Yankee to their full sonic glory. The only fault I find is that "Spiders (Kidsmoke)" is almost as annoying live as it was in the studio.
These songs feel very personal. Kicking Television was recorded over four sold-out nights at Chicago's historic Vic Theater in front of an adoring hometown crowd. You can feel the connection as the band takes its time to fill the hall with sounds and swirls. Nothing seems rushed or hurried, it's like you are sitting around their loft with the band as they play.
For longtime fans this disc is a must have. You will get to explore Wilco's music all over again. For those unfamiliar it is a very nice way to get to know the music and then begin to explore the exceptional body of work that Wilco has produced. Either way, Kicking Television will not disappoint.
R#
Wilco's two most recent studio efforts appeared to be less an evolution and more a departure from earlier work. Songs were extended into gnarled feedback jams and bathed in concrete musique tape tricks. Tweedy, formerly a raucous front-man, had all the anime of a sleepwalker as he hoarsely whispered obtuse lyrics. Production was muted and cold, further encouraging the sense that Wilco had, to some degree, sacrificed soul for artistic exploration.
The live show has always been any band's best response to creeping concerns of continuity and vibrancy, and Kicking Television indeed saves Wilco's soul. Whether it's that Tweedy and Company have had time to become comfortable with the recent material, or that the tunes themselves are more conducive to this warts-and-all format, new feels right at home next to old, and conveys a warmth that's missing from the studio takes.
"Spiders (Kidsmoke)," an eleven minute sonic exploration with flat production and a monotonous song structure, sounded oddly like Krautrock in studio form. Here in looser confines, it comes off like a combination of early Pink Floyd psychedelia and the angular, extended jams of Television. Granted, that's still a far cry structurally from the bash-n-pop that launched Wilco's career. But when presented in this more organic manner, it's easy to see the ties that bind it to, say, "A Shot In the Arm" - a roomy song from 1999's Summerteeth that's built around a repetitive, five-note progression and is also given a workout on Kicking Television.
It's not just the new songs that benefit from the live treatment. "One By One," a throwaway cut from 1998's Mermaid Avenue grows into one of the most resonant parts of band's repertoire. On the album version, Tweedy's mumbling vocals are further hollowed out by a touch of reverb, giving the impression that the listener is intruding on a private rumination. All instrumentation is evenly mixed throughout the song, and with nothing popping out front at all, the whole thing sounds like background music. Live, the vocals are more clear. Organ riffs, piano chords and guitar solos well up between verses, the musical punctuation breeding an inviting pathos lost on the listener in the song's first go-around.
I have a very limited CD collection, but this one absolutely belongs, without a doubt. I have been a musician all my life and I have been playing guitar for almost 14 years now. I also happen to have a alot of classic rock influences. I buy/listen to/play songs because of the music first and foremost, the lyrics are just an added bonus. The first track on this album that I listened to was "Via Chicago" (Disc 2, track 1). At first the simple, 3-chord country feel to it had me reaching for the SKIP button, but no sooner had Tweedy mouthed the words "I dreamed about killing you again last night, and it felt allright to me...", I was totally captivated. The music got better and better as I listened through each disc, and the lyrics continued to be brilliant, original, personal, insightful.
Kicking Television mainly consists of tracks from A Ghost Is Born and Yankee Hotel Foxtrot - which is just fine with me because these are both great albums, I've come to find. Many of the compositions have evolved and as a result are much more refined, and arguably sound even better played live when compared to their original album versions. Bottom line is, this is a GREAT album and one of the best live albums I have ever heard. It is a great starting point for new Wilco fans and I highly recommend it to anyone.
Top reviews from other countries
わざわざボーナストラックを8曲追加、アナログ用にミックスし直した’音楽’が4枚のビニール盤とでっかいブックレット、ポスターが、ボックスに収められています。所有する楽しみを味わえるのもアナログの醍醐味ですね。
肝心の音楽ですが、ライブ会場の熱気とオーディエンスの熱狂がひしひしと伝わってきます。一音一音に歓声をあげるオーディエンスの熱狂も、ブート盤で耳にするようなリアルなものです。これにはびっくりしました。歌い終わりジェフトゥイーディーの声が消えていく時の息づかい、クリエイティブな演奏を続けるメンバーの姿が見えてくるメンバー同士の楽器の距離感、アナログの奥深さを教えてくれる一枚だと思います。
残念ながら他のwilcoのアナログのようにCDは付いていませんが、これからアナログを聴いてみようと考えている若い音楽好きの方にもおすすめしたいです(僕も20代ですが…)
わざわざ4面ひっくり返してでも、聴きたくなるような音楽を聴く楽しみも届けてくれる素敵なレコード。おすすめです。
Wilco habe ich im Laufe der Jahre drei Mal gesehen, Ende der 90er auf der Loreley, 2003 in Köln und im Herbst 2005 ebenfalls in Köln. Gefallen haben mir alle drei Auftritte, jedoch nur der letzte wußte zu begeistern und machte klar, dass Wilco nicht nur vielseitige Studiomusiker sondern auch mitreißende Livemusiker sein können. Dies hat vermutlich besonders mit Jeff Tweedys neuer Lockerheit zu tun, die er selbst u. a. auf die Linderung seinr Kopfschmerzen und auf das Ende seiner Medikamentenabhängigkeit zurückführt. Ein großer Erzähler zwischen den Songs wird er wohl nie werden, aber das häufige Lächeln in seinem Gesicht hing spürbar eng mit seiner Spielfreude zusammen. Und auch die durch Verzerrung und endlose Gitarren-Soli geprägten 'Lärm'-Phasen sind weniger geworden und lenken nicht mehr so stark von Tweedys Qualitäten als Songwriter ab.
Anstelle des bis dahin unbekannten "Kicking Television" hätte man sich vielleicht einen älteren Klassiker à la "Kingpin" oder "California stars" gewünscht, aber die Auswahl stimmt auch so und enthält viele Wilco-'Klassiker' wie "Via Chicago", "Misunderstood" und "Shot in the arm". So vielfältig die Musik, so facettenreich auch Tweedys Gesang.
"Kicking Television" ist sicherlich ein toller EInstieg für all jene, die Wilco kennenlernen wollen.
Neben Springsteens ebenfalls 2005 veröffentlichter 2-CD "Hammersmith Odeon, London '75" und Lucinda Williams "Live at Fillmore" für mich das schönste Live-Album der vergangenen Jahre.