Framing the Face:
Collars and Ruffs

    Unknown man, formerly known as Richard Weston, 1st Earl of Portland,    by Cornelius Johnson (Cornelius Janssen van Ceulen),    1627,    NPG 1344,    © National Portrait Gallery, London
Unknown man, formerly known as Richard Weston, 1st Earl of Portland
by Cornelius Johnson (Cornelius Janssen van Ceulen) 1627 NPG 1344

Past display archive
19 February 2016 - 16 July 2017

Room 3

Free

Clothing in Britain has often seen fantastical extravagance and distortion. This small display of paintings and miniatures explores the collars and ruffs that were such a striking feature of sixteenth and seventeenth-century dress. Their design and scale changed continually over the period, with each decade heralding a new fashion that allowed sitters to demonstrate their wealth and style. From the clean folds of starched linen to the intricate patterns of French and Italian lace, collars and ruffs offered men and women the perfect means with which to frame their faces for the world.

View of the Gallery's Framing the Face: Collars and Ruffs display
© National Portrait Gallery, London