Dressing for the '45: Assembling a Basic 18th Century Woman's Outfit |
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This list is
intended as a guide to assembling a reasonably accurate
kit for a Highland woman circa the year 1745. It is not
the last word on the subject there are probably
sources for patterns or ready-made items that are not
listed. First Things First: Your basic items of clothing are: Shift, Petticoats (2), stays, jacket, neckerchief, kertch or cap. Next, get your shoes, stockings, apron, pockets, and arisaidh. Hints and Tips: To be avoided: |
Item | Most Accurate | Good | Minimum Acceptable | Unacceptable | Recommended Patterns |
Apron | 100% linen,
hemp or wool; gathered to self fabric or to cotton or
linen tape, with tape ties Blue aprons were common |
Linen/cotton blend | White cotton muslin | Unbleached
cotton muslin Pinner apron (probably worn by French only) |
- Janice Ryans Basic Six Piece Wardrobe Pattern |
Arisaid | 4 yards long,
100% wool, made up of 2 widths of 27" wool
see criteria for mens plaid Can be plain wool instead of tartan |
100% wool tartanone piece, minimum 50" wide | Good wool/poly blend (not obvious synthetic) | Cotton flannel; obviously synthetic fabric | No pattern necessary |
Brooch | Annular brooch, reproduction of period brooch or close facsimile; steel, bone, or wood bodkin. | Annular brooch, reproduction of period brooch or close facsimile; steel, bone, or wood bodkin. | Annular
brooch from Raymond's Quiet Press
(R-23: 2-1/8" Large Version) Annular Brooches: a complete circle, not open on one side. Also avoid annular brooches that are obviously early medieval. A more nondescript brooch will 'pass' better for 18th c. |
Penannular
brooch: open on one side -- these were not worn later
than about the 10th or 11th century AD, so they're very
out of date by the 18th century. Victorian or modern 'Celtic' pins; obviously medieval or Iron Age Celtic pins. |
See Essay on Highland Brooches |
Cap (Lowlanders or wealthy Highlanders; may have been worn under Kertch) | Mid-18th c. lappet-eared pattern; linen, hand-sewn, silk ribbons | White cotton
muslin, machine-sewn; head-cloth worn turban-style Godwins plain cap might be ok havent seen |
Circle "Mob
Cap", synthetic materials Any of Townsends caps (dont look right) |
- Sykes Plain Ladies Cap (CAP1753L) - Janice Ryans Cap Pattern - Kanniks Korner Womens Lappet Cap (not the bonnet) Online directions: BR Clothing & Accoutrements: How to Make a Cap |
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Kertch | Linen, hand-hemmed;
30-45" square(?), pinned or tied under chin or at
back of neck Some kind of cap or coif underneath see paintings |
Cotton or cotton-linen blend, machine-sewn | Cotton square too small, with ragged edges | ||
Pampooties | Rawhide,
cowhide shoes from authentic pattern (see pattern
recommendations at left) Deerskin or brown cow hide shoes see patterns |
Chrome-dyed leather; "Ren-Fest" cut-leather shoes with crepe soles | - Lucas, Type 4 - Irish (Aran) Pampootie - Lucas, Type 3 |
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Petticoat | 100% wool,
linen, or linsey-woolsey, hand-sewn; stripes (if any)
woven into material Red wool petticoats (possibly with green or other color wool tape band above hem as trim) were common |
Linen, hemp, wool, linsey-woolsey, machine-sewn except for visible stitching | Cotton-linen blend; Good wool-poly blend (not obviously synthetic), machine sewn | Obvious synthetic fabrics; stripes printed onto fabric | Janice Ryans Basic Six Piece Wardrobe Pattern |
Pockets | Linen or fustian; hand-sewn and embroidered; tape or cording drawstring | Cotton duck or cotton-linen blend | Mans sporran not documentable, but possibly worn. See standards for mens sporrans | Fur pouches; leather over-the-shoulder purses | - Janice
Ryans Basic Six Piece Wardrobe Pattern - Kannik;s Korner Accessories Pattern |
Shift (aka Sark) | 100% linen,
hand-stitched, period pattern Commoners less likely to have ruffles on shift sleeves and neckline Lucet cording, or cotton, linen, or silk ribbon drawstring Thread buttons (if any) on sleeve cuffs |
100% linen, machine-sewn | White cotton
muslin or cotton-linen blend Townsends Chemise w/out ruffle (probably havent seen) |
Unbleached
muslin; polyester or poly/cotton blend; 3"+ ruffle;
polyester lace; Victorias Secret
nightgown; prints; drawstring- gathered "bag sleeve" 18th c. shifts were worn with a very low neckline; wear it correctly, then cover your cleaveage with a neckerchief. |
- Janice Ryans Basic Six Piece Wardrobe Pattern |
Shoes (in town) | Hand-made see mens shoes criteria | Machine-made, such as Fugawees (see mens shoes criteria) | Wooden-sole, leather-upper clogs; leather mules | Modern shoes; Mary Janes | Fugawees Ladies Shoes can be purchased from Godwin, Townsend, or Smoke n Fire |
Gowns
Gowns are definitely under- represented in the reenactment community at present. They were worn by women from the top to the bottom of the social ladder -- in cheaper fabrics, or bought used, toward the bottom. |
Hand-made
linen or wool English-style gown (with stitched pleats in
back), with mid-century style robings, cuffs, and
stomacher. Avoid tapestry, lace, brocades, prints, and fancy fabrics; unless your character is of the upper classes, you couldn't have afforded these fabrics, so they aren't appropriate for the average Highland woman. |
Machine-sewn ditto | Cotton-linen blends, wool-poly blends | late 18th century (Rev. War) period gowns; brocades, tapestry, most prints, fancy fabrics; I have yet to see a good period reproduction fabric from the middle of the 18th century, though there are a few for the very late 1800s. It's much safer to use plain fabric. | Mill Farms gown pattern --
currently out of print; or, one draped from Patterns
of Fashion by Janet Arnold and/or Norah Waugh's Cut
of Women's Clothes Not a beginning seamstress's project! |
Shortgown/
Jacket There's some debate as to whether shortgowns were worn in Europe; Jackets are better, but I think shortgowns are acceptable. |
100% wool, linen, or linsey-woolsey, hand-sewn; stripes (if any) woven into material; period-documentable prints (see below on prints) | Linen, hemp, wool, linsey-woolsey, machine-sewn except for visible stitching; prints in keeping with period patterns | Cotton-linen blend; Good wool-poly blend (not obviously synthetic), machine sewn | Obvious synthetic fabrics; stripes printed onto fabric; non-period prints | - Janice Ryans Basic Six Piece Wardrobe or Manteau de Lit Pattern |
Stays | Linen with metal, cane or broom boning; lucet cord or tape lacing; leather or tape binding; hand-sewn. May be wool-covered. | Linen, cotton drill, or fustian with German whalebone boning; machine-sewn. | Jumps lightly boned stays usually worn for undress only, i.e., if you were nursing or ill, or in your bedroom. | Ren-Fest
bodices (tapestry or brocade fabrics; metal grommets; cut
under the breast); synthetic ribbons; synthetic fabrics "English Bodice" "French Bodice" |
- Janice
Ryans Stays Pattern - Web Instructions: How to make 18th c. Stays |
Stockings | 100% wool, hand-knit to period pattern, or cut hose | Wool-poly blend or cotton, over-the-knee | Modern socks (below the knee) | - Kannik;s Korner Accessories Pattern |
Other Recommended sources:
Mill Farm Patterns: http://www.costumegallery.com/rizzos/millfarm.htm
MILL FARM PERIOD PATTERNS, Sharon Burnston (patterns)
R. R. 1, Box 166, Epson, NY 03234
List of sources at http://www.ziplink.net/~mrkmcc/Merchants.htm#Angela
Trowbridge
18th C. Women's Clothing Guidelines for American
Revolutionary War reenactors -- a bit
later than 1745, but mostly applicable
Then there's my page of Patterns & Resources, of course!
A
Mid-18th Century Picture Gallery of Women's Clothing
(Caveat: Please be aware of the moral
messages the painter is trying to convey in these pictures.
Often, painters would show someone wearing items a certain way --
for instance, stays unlaced or no stays to indicate a 'loose'
woman -- to make a point.)
Paris
Street Cries by Bouchardon; 1737-1742 (Figs 178-221).
"Broken
Eggs" by Jean Baptiste Greuze (1756)-- look at the
kertch-like item worn by the old woman; interesting parallel to
the Scottish kertch.
Le
Geste Napolitain by Jean Baptiste Greuze (1757)
Greuze: The
Spoiled Child (1765)
Chardin:
Grace before the meal (1761)
Chardin:
Girl Peeling Vegetables
Chardin:
The Attentive Nurse (1738)
Chardin:
The Laundress (1730s)
Chardin:
The Return from Market (1739)
Greuze:
The Laundress
Fragonard:
The Stolen Kiss
Liotard:
The Chocolate-Girl (1743-1745) -- Swiss
Later time period, but informative:
Plucking
the Turkey by Henry Walton (1776) -- wearing bedgown, checked
apron
A
Woman doing Laundry by Henry Robert Morland
Copyright Notice:
The Author of this work retains full copyright for this material. Permission is granted to make and distribute verbatim copies of this document for non-commercial private research or educational purposes provided the copyright notice and this permission notice are preserved on all copies.
Clothing of the Ancient Celts - Copyright 1997, M. E. Riley