Zoom G9.2TT Twin Tube Guitar Multi-Effects Pedal

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Zoom G9.2TT Twin Tube Guitar Multi-Effects Pedal, Angle

The Zoom G9.2TT offers real tube tone and 32-bit effects for great sound. With plenty of processing power, the G9.2TT is a great addition to your rig.

Overview

The Zoom G9.2TT's secret weapon, the Energizer, gives body to the guitar sound and adds supple power and intensit. Turning up the G.92TT's TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. The Zoom G9.2TT also enjoys a powerful tone when recording directly to a line input or via USB on a computer.

Featuring ZFX-3 -- a 32-bit DSP designed by Zoom

The heart of the Zoom G9.2TT is its processor and decoder section. Zoom has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture onboard the G9.2TT ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity on the Zoom G9.2TT.

DSP sound modeling plus tube circuitry create the ultimate in distortion

96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power on the G9.2TT allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds on the Zoom G9.2TT: distortion so advanced and sophisticated it elevates your guitar playing to the next level.

Preamp section with two channels

The G9.2TT's preamp section, comprised… read more of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The Zoom G9.2TT's user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.

Great for stage work or direct recording

The G9.2TT's amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The Cabinet effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the Cabinet on/off setting. This lets you use the Zoom G9.2TT to bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well via the G9.2TT.

Amp select feature

This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2TT to be used as a preamp, directly connected to the power amp input of a guitar amplifier.

6-band graphic equalizer

The Zoom G9.2TT's built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.

Guitar amplifier/stomp box modeling

Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and Vox to modern amps including Mesa Boogie, Hughes & Kettner, and Diezel -- the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.

32-bit processing for a wide choice of high-quality guitar sound effects

Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as Vox and Crybaby. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.

Preset patches ready to use for recording or live performance

Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.

Intuitive interface great for stage use

Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.

Real-time modulation for 4 simultaneous parameters fosters lively playing

The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are of course supported, but you can also opt to adjust drive gain, modulation rate, delay/reverb mix level, and other parameters. Up to four parameters can be assigned to a single pedal, allowing dramatic techniques such as raising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producing rhythmical tone changes, opening up a wealth of possibilities.

World's fastest patch change speed: 7 ms

Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat. When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.

Built-in tuner supports special tuning requirements

The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various other tuning methods for guitar and bass are possible, and open tunings are also supported. High-brightness LED indicators make the note readout easy to see on a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient.

ZNR keeps playing pauses really quiet

The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.

Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor

With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.

Sturdy metal chassis and rubber damping for superior toughness and durability

The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.

USB based audio interface functions

The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.

Supported OS: Windows XP / Mac OS X 10.2 or later

MIDI IN/OUT jacks allow linking to other equipment

The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.

AUX IN jacks accommodate external sources

The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.

Accelerator blends tube and solid-state sound

The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.

Z-pedal takes pedal performance to the next level

The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.

Recommended setting of Z pedal:
- Vertical parameter: wah, horizontal parameter: drive gain
- Vertical parameter: wah, horizontal parameter: pitch shift
- Vertical parameter: modulation rate, horizontal parameter: cross-fade of original/effect sound
- Vertical parameter: delay time, horizontal parameter: delay feedback
- Vertical parameter: delay/reverb mix, horizontal parameter: delay/reverb pan
- Vertical parameter: oscillator pitch, horizontal parameter: oscillator vibrato
- Vertical parameter: formant shift (o -- a), horizontal parameter: formant shift (a -- i)

External send/return loop connectors

A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.

Effect List
- Copm module: Compressor Rack Comp Limiter
- Wah/EFX1 module: Auto Wah, Tremolo, Ring Modulator, Crybaby Wah, Octave
Auto Resonance, Phaser, Slow Attack, Multi Wah, Booster, Fixed Phaser, Vox Wah, Pedal Resonance
- Ext Loop module: External Loop
- ZNR Module: ZNR Noise Gate, Dirty Gate
- Preamp module: FD Clean, HW Clean, Tweed Bass, Z Combo, MS Drive, Rect Modern, HK Drive, DZ Drive, Z Stack, Centaur, DS-1, Fuzz Face, TSF Combo, Z OD, Z Clean , VX Clean, UK Blues, BG Crunch, MS 1959, Rect Clean, HK Clean, DZ Clean, ENGL Drive, Over Drive, Guv'nor , dist, Big Muff, SDM Stack, Extreme DS, Acoustic Sim., JC Clean, US Blues, VX Crunch, MS Crunch, Rect Vintage, HK Crunch, DZ Crunch, PV Drive, TS808, RAT, Hot Box, Metal Zone, FZM Stack, Digi Fuzz
- EQ module: 6 Band Equalizer
- Cabinet module: Cabinet Sim.
- Med/EFX2 module: Chorus, Modulation Delay, Pedal Pitch, Delay, Dynamic Flanger, Pedal Mono Pitch, Bend Chorus, Stereo Chorus, Flanger, Vibrato, Tape Echo, Mono Pitch, Cry, Comb Filter, Chorus Ensemble, Pitch Shifter, Step, Dynamic Delay, Harmonized Pitch, Reverse Delay, Air
- Delay module: Delay, Ping Pong Echo, Air, Ping Pong Delay, Analog Delay, Echo, Reverse Delay
- Reverb module: Hall, Arena, Early Reflection, Ping Pong Delay, Room, Tiled Room, Multi Tap Delay, Ping Pong Echo, Spring, Modern Spring, Pan Delay, Auto Pan
- For Z-Pedal: Z-Delay, Z-MonoPitch, Z-Step, X-Flanger, X-Vibe, Z-Dimension, Z-Oscillator, Z-Talking, X-Phaser, X-Wah, Z-Echo, Z-Pitch, Z-Tornado, X-Step

Specs

Effect types: 120

Effect modules: 10

Maximum simultaneous effects: 10

Patch memory: user 100+ preset 100, total 200

Sampling frequency: 96kHz

A/D conversion: 24 bit, 64 times over-sampling

D/A conversion: 24 bit, 128 times over-sampling

Signal processing: 32 bit

Frequency response: 20Hz-40kHz +1.0dB, -3.0dB (10kohmload)

Guitar input: 1/4 in. phone jack (rated input level: -10dBm, Input impedance: 1Mohm)

AUX input: 1/8 in. stereo phone jack (rated input level: -10dBm, Input impedance: 10kohm)

External return: 1/4 in. phone jack (rated input level: -10dBm / +4dBm)

Line output(L/MONO, R): 2 x 1/4 in. phone jack (Rated output level: -10dBm / +4dBm, Maximum output level: +19dBm, output load impedance: 10kohm or more, output impedance: 1kohm or less)

Headphone output: 1/4 in. stereo phone jack (Rated output: 60mW / 32ohm load, 20mW / 300ohm load, Output impedance: 47kohm)

External send: 1/4 in. phone jack (Rated output level: -10dBm / +4dBm)

Tube circuitry: 2 x 12AX7

MIDI: in/out

USB interface: 16 bit, 32kHz / 44.1kHz/48kHz

Display: 2 digit 7 segment LED, backlit LCD

Power requirements: 15V AC, 1.5A

Dimensions: 595(W)x 235(D)x 85(H)mm

Weight: 5.5kg

Supplied accessory: AC adaptor(AD-0012)

* 0dBm=0.775Vrms

Documents and Manuals

For support or warranty questions, please contact the manufacturer:
Phone: 631-542-5270
Email: info@zoom-na.com
Web: https://zoomcorp.com/en/us/contact/

Manual

Reviews

(124 ratings)

Submitted July 19, 2011 by a customer from gmail.com

"Zoom G9.2tt - Ya gotta get one"

Overall:

(see rating details)

Verified Customer zZounds has verified that this reviewer made a purchase from us.

Very happy. Would replace it if stolen (and I would hunt down the thief AND his family). Great thing is, if it was lost, I could buy a new one for reasonable money, hook it up to my computer and be back in business in 15 minutes.

Sound
T%his is an extremely well-built unit with endless tone possibilities. As an old "pedal die-hard", my expectations were not over the top, but exacting. The 12ax7 tubes allow you to tweak the amp and cabinet models for variety and the effects are really first rate. This was my first venture into the realm of MIDI controllable pedals and I found it extraordinarily easy to use......very good documentation, instructions from other musicians on Youtube, a VERY active user community sharing tips and sound patches (international, in fact)....can't ask for much more. The patch libararian and editor is superb. I've been using it with my '66 Fender Showman with stunning results. Hint: You definitely get bang-for-the-buck using this on an amp with a good clean channel. I'll be trying the unit on my Vox AD120VT through the effects loop shortly.

Features
Good *Easy to create, store and swap MIDI patches *Wide range of effects, including the interesting "Z" pedal Needs improvement *They should have included a MIDI in/out to USB cable to get you started faster

Ease of Use
I compare this to an old Digitech RP12 I had and there is no contest on ease of use and… read more range of features. Worlds ahead!

Quality
This thing is built like a tank. Gig ready and I have every expectation that it will last. Only concern might be the tubes during transport (although they are well protected within the unit.

Value
All this for the price of one boutique pedal???? Unbelieveable.....awesome.

Manufacturer Support
Have not had any dealings with the manufacturer.

The Wow Factor
I was jamming with some friends using the Zoom for the first time...they now want to enter the 21st century!

Musical Background:
Active Musician

Musical Style:
Rock, Country, metal

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